vocal techniques



vocal techniques
 

 

 

VOCAL TECHNIQUES 

How can I help you?

  • Do you have a soft voice?
  • Do you have trouble singing high notes?
  • Is your breathing not correct?
  • Do you get hoarse after singing?
  • Do you want to just improve your singing?
  • Does your voice break?
  • What you're looking for is voice technique. Good vocal technique enables you to overcome all of these problems and more. Good technique enables you to sing in a way you only dreamed you could.

     HEAD VOICE OR CHEST VOICE
     CAN YOU TELL THE DIFFERENCE?
    • The difference between the “head” and “chest” voices is that the “head” voice allows you to carry those exciting and dynamic high notes.
    • Don’t get it confused with “falsetto”, there is a difference.
    • The chest voice is the root of the sound, or the place where the sound begins.
    • To get a smooth seamless voice both must work together

     How do the “HEAD” and the “CHEST” voices work together?

    The key is in the transition! This transition is important as well as tricky. The difficulty is that you must become comfortable with the combination of sounds.

     Transition

    At Free Your Voice you will learn:
    • To tell the difference between these registers
    • How to handle the transition to give you that effortless sound you often hear from the singing stars.
    • So visit Falconer Abraham to Free Your Voice today.

     Click here for more info on Chest Voice

    The “chest” voice is the lowest part of your vocal range. When singing in this range you will feel a strong vibrating sensation in your chest, throat and mouth. This sensation is a result of the vocal cords vibrating along their full length. At this point your vocal cords are long and thick and all the resonance seems to be bouncing off the hard pallet and out of your mouth.

     Transition:

    The transition is the area of bridge in the voice where the sound becomes less intense as you go from the chest voice to the head voice. As the singer approaches this point, and his/her coordination is not yet correct, they may feel a tightening in the throat resulting in a involuntary increase in volume. In turn the vowel that is being sung is altered and the voice eventually cracks.

    If your coordination is correct and your larynx is stable, as you ascend in pitch, the vibrating sensation (or resonance) of your voice seems to pull in behind your sinuses (or soft pallet). This is your first transition area, which is also referred to as your bridge, passagi or passage.

     Click here for more info on Head Voice

    The “head” voice is the highest point of your vocal range. When singing in this range the sensation is felt in your head or above the vocal cords. As you ascend in pitch you will feel the resonance sensation of your voice has left or released most of the weight of the chest voice and is now safely behind the soft pallet. Be careful in this range, though “falsetto” and “head” voice, in this range, share the same resonators, they are quite different.
     


    Falconer is incredibly knowledgeable in what he teaches. He is experienced and can hear glitches in your voice that most others can't. The lessons were fun, relaxed and best of all I walked out of them with new vocal skills to work on.

    The best gift I got from his lessons, was a new approach to hitting those high notes. My range increased and I definately found more confidence in my voice.